the week that went

July 4, 2009

born-free

Right of us, across the street, an ambulance bobbed about like a dead beetle borne on a mass of ants undecided on the right route. Its wail was wimpish and, eventually, when things cleared, it came to life and made toward the Forum Mall and the bikes and the cars went lurching with it, squeezing into the space by its sides, jutting ahead of it, tailgating it in the hope of stealing some speed. Traffic was particularly bad Tuesday this week, even if the rain that confounds Bangalorean traffic only teased from above and never fell.

On Sunday we saw big others brought to submission, at the elephant camp by the Cauvery. The elephants carried weekenders on short rounds, dragging their feet, halting and heaving every few moments, saying in many ways that they wanted out. The humans atop the elephant—some nervous, some squealing—and the ones on the ground who gazed and and clicked away at the chained elephants accepting football-sized food-balls that the maavuts tossed throw-ball-style over sagging lower-lips, everyone, it seemed, loved the elephant. The question was: Who would be their friend?

Every day, after feeding, the elephants are taken a half-hour into the forest and let loose there. They are then free to roam, and forage, and do the things they can, now after the wild is plucked out from them. In the evening the maavuts return and search for them, like shepherds. We went with them till where they were freed, walking with Ajeya, a handsome fellow yet unconquered, even after six months with the maavuts—because the memory of the wild has not left him altogether, which his taut ears tell, and the tension in the brow, and his eyes, and occasional ominous exhalations. Vijaya and Basavaraj are his maavuts; last week they had an incident with him.

They were riding him when a young one came in at them for play. Ajeya didn’t know this kind of a game offered by a tamed one and after a while became nervous and shook off the two young men seated on him and started to run. After some distance, none can tell why, he turned and, seeing his keepers on the ground, came bounding after them. His sight focused on Vijaya, much frailer of the two, and he began to assault him with his trunk but the other maavuts came soon enough and Vijaya was saved.

The bruises were as though from yesterday on Vijaya’s shins. His left ankle was swollen. He limped, but his smile came easily despite the pain, and when narrating the incident, he assigned the cause for that day’s terror and this enduring pain only to that young elephant that came at Ajeya. Toward Ajeya he feels only indulgence.

Our maavuts were jenu-kurubas, and Ajeya—named by the foresters—is Ajjayya to them, god and protector of their community. He is on the rowdy-sheet for killing three men, so they went after him and took him in six months ago. How do you train a rogue elephant? “There are spots in them which when you handle make the roughest beast a cow.” It is a terrible process to watch, they told us, the beast resisting every moment of the long time it takes, and the screams rent the earth.

Ajjayya has been trying to break free: there are inch-deep wounds beneath the chains which have cut through his armor-skin. His maavuts carried bottles of oils which they slapped on the wounds and gave a rubbing round the wounds. Then they wiped their hands on his sides and on his cheeks and down his eyes until they were dry—Ajjayya is slowly beginning to accept their love. Soon he will accept the two men completely and will then be theirs. Each elephant will answer only to his maavut; a maavut approaches another’s elephant most anxiously.

During the workweek in Bangalore I sat in a serene boardroom with a businessman who proposed a strategic alliance. He began his presentation not from when he founded his company, but from where he was born: in a village six kilometers from Sitamahi, where Rama’s Sita was born. “A temple can be built there first”, he said, “there is no dispute there, unlike in Ayodhya.” I looked into his eyes. They were placid, and they testified that there weren’t more meanings to the things he said. His village is situated where the ancient kingdom of Mithila was, which King Janaka ruled, whose daughter Sita he gave to Rama. The businessman’s mother-tongue is Mythili. “We are very near Nepal; but of course there was no Nepal then; everything was India.” He challenged my secular mind with his pleasant grace, and then I realized I should respect his sacred context, and the beatific Hindu past of his imagination which is the backdrop to his thought—I must think upon it.

We walked along the golf course to a restaurant near his office, in a five-star hotel, empty of foreigners, and only two tables taken. I worked hard to be polite and gracious as him.

The week has ended and my mind has drifted to that night last month when at midnight when I stood on the Galata Bridge and watched the Topkapi Palace floating high in a cradle of yellow light. There were a few people on the bridge—one of them a woman—catching small fish with long rods at that hour. I am overwhelmed by a need to go quickly and lose myself in some place just as far.

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farewell, Jackson…

June 26, 2009

MJI grew up knowing of him but I never liked his music; the style and his pitch were too distinct and different for one raised in the small towns of India. But I was captivated by the moonwalk—who can say they weren’t? Only once, his one song snaked into me from the television when they played the Grammy nominees that night long ago—beat it: I liked its movement and the video strangely inspired me—I was very young. I must have liked him, because when they wrung his scandals in public and the scum soiled even far-off feet, I watched and suffered the news and didn’t either believe or disbelieve because that right and the right to forgive-or-not is only for the proximate; but I prayed that he be innocent. I have lived on in constant awareness of him from my cultural and geographic distance, and now as they stream the breaking news, I feel great respect for him, for he was girding up when he fell—at fifty.

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bird-over-bosphorus

At the pier everyone held back, knowing to be polite, but in the tension and the poise you could see that each wished everyone out of the way, and all suppressed (or didn’t have the strength for) the urge to push the rest to the edge and out. The woman behind me sneezed, and my back bristled, and I turned and looked into eyes that denied contact—she and her man were big and loud and spoke impatience in a Latin language. We were quite a crowd when it was time to lift the chain; almost all were white; only I was brown; none were black.

They lifted the chain finally (on time, but we’d each been so worried that we’d be outrun) and the woman who’d sneezed shoved the middle of my back, but I was moving already. Two young ladies broke to the fore, and seemed to know where to go, and I abandoned my dash to the front and followed them to the rear—good decision: the rear had the open-to-air benches; the aft had the little covered cafeteria. I landed a terrific seat, and seconds later all the seats were gone, and the narrow gap between me and the next man went too, when the rest of his party squeezed in and I moved a little to make room for him. Thanks, he said, and we were all settled.

Front of me, a man about sixty, pocked leather-skin, wide mouth with lines revealing a life spent smirking, his shirt blue with St George by Duffer sewn on the breast, brown chinos, pale brown cap, Lumix camera secured to his belt by a coiled telephone cable; next to him his wife of comparable age, petite and wrinkled and benign and smiling; and next to her, a well-formed woman in her thirties in classic blue jeans and a tucked-in white shirt, book in hand, already reading—three seats, three people. The boat shook and a couple came lurching in to us: the woman’s face was youthful and the creases of middle-age and the grey hair served to adorn it; the man’s head was a pink and dark cuboid, square below the chin, square on the crown, rectangular all round.

His woman gestured to be the fourth in that row for three. She in jeans lifted and averted her eyes and told the air “but there’s no room here,” and dropped her face to her book. On the face of her in the middle the smile lived on, and her body didn’t budge. A muted defiance came upon her who stood, and she turned and sat on one hip in the tiny triangle between the two women. They let her be.

Her man came to the window and stood before me at the open frame. He was about fifty, and wore a Camel vest, the kind touted as adventure gear. It was a light brown, and so crisp it was evident it hadn’t taken him into any adventure. He wore it for its pockets, perhaps, but they were all flat with no bulge in any of them.

We were soon detached from Eminonu and floated away from the Galata Bridge, the water blue and dazzling in the sun, the hills and the domes and the minars on Sultanahmet and the piles of buildings and the Dolmabahce Palace on the Pera side all blazing, and soon we saw the white rises of the Bosphorus Bridge also taking plenty of sun, and on the Asian side, the mix of green woods and buildings with their color drained in the dazzle, and telecom towers, and the blood-red flag of the republic with a clear white moon seeking to hold with its crescent’s ends a clean white star. We rocked as we went, soothed by breeze, seeing flocks of small birds that beat black wings with unrelenting vigor as they went skimming the water. A lady in my row wanted to take a picture so she asked the man standing at my window to move, and he turned and and considered the apt response to her demand. Then he relaxed and squeezed to the side and she said “merci.” But he couldn’t hold his hurt and went to her and said something in German. The man next to me asked him to speak in English.

“Speak international language,” he said and slapped himself with his lean palm, landing it full and flat on his clean gaunt cheek. It looked like he might offer himself his other cheek, but no, he glanced at the the folks in front, offering solidarity, but they merely held their poses: smirk, smile, concentration. The man returned to the window, emotion not leaving his eyes.

The air became steadily thick. The man stayed at the window, his wife rested on half her seat, the young lady was absorbed in her reading, the other lady sat with crossed legs and smiled on, her husband’s legs were crossed too, and on my bench they were lost in a Spanish guidebook, among the Bosphorus pages.

A gull came up and held steady, white all over with black-tipped wings, quivering a little in the changing wind. A woman came running to the window breaking a piece of simit, and offered it up. After a long consideration of her the gull took it, swooping in an angle from above, encountering difficulty while snatching the bread. Why couldn’t he drop lower and come in horizontal? Several people rushed to join the lady, stretching out to the bird, who took his time to accept each offer, his beak failing him sometimes, on which occasions he fell and went in a smart reverse and picked the crumb off the water.

We stopped at small villages: Like Kanlica, with a cafe beyond the pier flanked by orange and red canopies. Tourists and Turks sat sunken in the seats, arms rested on backs of benches, soaked in relaxation. It could have been a spot by the waters in West Europe, but a pencil-like minaret of Sinan-vintage, less tall than those in Istanbul and rather squat, asserted itself from behind the cafe—all the character of the place came from the minaret. Behind all these enterprises of man stood a low hill with small houses perched on it.

Before me she the reader left her seat now and then to take pictures, but it was understood and honored that the intruding party should hold only that one butt on the bench, and only in the triangle she had usurped.

Drowned in such mutual defiance we arrived at Anadolu Kavagi, the last stop, in ninety minutes. The man and his wife introduced themselves to me, as from Dusseldorf. All had to get off, we had an hour and some minutes for lunch and, if we wished, for a climb to the ruins of the Byzantine fortress above.
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Will continue: the fort, Bosphorus at its narrowest, Darius…

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The great travelers

June 15, 2009

60EA1290-7E35-44AE-B240-7C10B5C967CD.jpgTravels with my Briefcase was strongly recommended to me last fortnight, and I’m not disappointed. Also A Short Walk in the Kindukush, which I’m now reading, and I’m laughing every few passages. But I have to reconcile myself to this style of writing which, while it recounts enviable adventure, also looks derisively at the host—the native—for aspects in them to laugh at, jeer even. Humor is good, but these endless jabs at every character in the book? In Bangkok Biddlecombe probes the menu for varied crab poos and other Thai turds so he can bring laughter to his (certain) readers—his search for such gems is relentless, from beginning to end and in every location. Newby (I’ve reached page sixty) has no sympathy for a single native he has introduced so far, in Turkey or in Armenia.

After the laughter, a bad taste rises and lingers. I’m reading on, though: Newby’s book is a certified classic, my copy is a fiftieth anniversary edition, there are other things in the narrative that are admirable, and the prose, it has my attention in a vice-grip.

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la dolce vita

June 7, 2009

via Spiga

Mario drove as though we were given the free use of a runway and halted—in downtown Milan, at a stop-sign before the imposing Central Station made whiter with a heavy moonlight fallen upon it. I knew these seconds were all I’d get to see it this evening, but I did what I wanted: I verified that it was possible to send from the Hotel Gallia a shot clean into a man making a speech before the Station; so Umberto Calvini, who knew he was being hunted, died foolishly. One who possessed such wealth should have obtained better security.

Next day I had time to go just by myself to the Duomo and the Galleria Vittorio Emanuele. I can tell you it is not possible to exchange in the Galleria any material surreptitiously, however deft the operatives might be, even the police and the master-crooks: people are people-watching every moment, standing in the aisles, seated in the cafes, walking idly in an endless stream, looking at one another, looking, looking. But The International is only a movie, and Tom Tykwer has succeeded in creating the best display so far—on film—of the magnificence of the location.

Clive Owen didn’t dress well any time in the movie, and in Milan his action is so close to Montenapoleone. All the best brands are on the street and in the streets close to it, streets like the via Spiga. The stores (each a piece of unique art; every window a display of creative dexterity) were empty, and I suspect they are always like that, because maybe those who can afford the dresses and the other accoutrements in those stores don’t need to go to the stores. They may merely ask for the goods to be brought home for consideration.

The stores that were a notch below were the ones I went into, where they have at the door tall African men dressed in black. The men possess great size, but no authority, and are a handsome ornamentation at the door, and when they say buona sera or buon giorno you can see that any strength their voice might have had is now smothered.

I haven’t told you about the conversation with Mario before the Central Station. Before we spoke we had been silent for a time, and also, Mario had fine wine in him, and it was working its way up, and I could see he was as much in the clouds as I was that breezy night. His window, and mine, were open. I knew I’d sound foolish, and in spite of that I told him I felt like I was in a Fellini movie. “Yeah,” he said. “Have you seen Amarcord?” Yes, I told him, though I had in mind la dolce vita, and the Trevis Fountain. “Ah!” he said. “Think of that! A man from India has seen Amarcord and he likes it! Fellini is…I tell you…he is universal!” I told him Amarcord is more than an Italian movie, that it is a human experience profoundly depicted, feeling silly about telling such a thing, but what the hell, there was all that moon in me, and it was proving the effect a moon like that is said to have on the human.

But Mario seemed to like immensely what I said. The effect was in full force upon him too, and he drove past my hotel with gusto, my gentle prodding that we’d arrived drowned in the vroom. He is a very good man, and would not end his apologies. He needn’t have apologized; the hopes he expressed for better business were enough to cap the long day; and I insisted and, with air splashing about my face, and my steps so light, I walked to my hotel, under that moon.

Galleria Vittorio Emanuele

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minutes-munzerabad

Years ago, I often shuttled with my parents between Bangalore (and Mysore) and Mangalore, and crossed the coffee-belt midway—in all my memories I peer through the trees of the plantations from the rear window, always through mist or rain or the dark, looking for the fabled estate-mansions. I saw my first plantation-homes these last years, after acquiring a profession and having gone grey—the mist has thinned and their mystery has vaporized. But the magic of my imagining returns if I peer through time to beyond a hundred years ago, where the mists are thicker, and in their haze are brave men from six-thousand miles away, seeking fortune and adventure in the jungles of Malnad.

Men like Middleton. He came to Munzerabad (Tipu’s Sakleshpur) from Ceylon, after three years growing coffee there. An officer took him to the virgin ghats and told him to take the jungle from this hill to that, and from that hill there to this hill here for no tax at all, but to remit quarter of the earnings to the government. Middleton founded the Kaadumane Estate there. When he had succeeded to his satisfaction, it was time to take a wife, and he went to England to fetch one, and brought her to Kaadumane on an ox-cart, arriving at night. In the morning, her first day at her Indian home, his bride went out and saw yesterday’s oxen were today two bloody carcasses, devoured by a tiger before dawn!

To sense that past, I went with Nagegowda’s Bettadinda Battalige to the Munzerabad Club, established in 1893 by white planters, for white people. Ramachandra, its president today, is a lean, fit, reticent, classical planter with modern problems, worrying what to do with the horn-bearing skulls of wild game that gazed upon us while we chatted about the times when they were hunted down. He brought Subbanna, past-president, member since 1951, seventy-nine years of age but alert through every peg, and brimming with memories of drinks shared and graces experienced with English gentlemen in the years immediately after Independence.

Morning, I sat on the raised verandah with a breeze pleasant on the skin but pungent in the nostrils, the air spiked with mine-dust from the lorries of Bellary which run all day through the main street of Sakleshpur. The rains had brought down the temperatures. The sun was easy on the eye and his light danced off the leaves. Ramachandra had arranged for Basanna (past president), and Karthik, the young honorary secretary—successful planters—to show me the minutes of meetings from the 1900s.

minutes-register-munzerabadExtraordinary men—Crawford, Radcliffe, Young, Middleton (junior)—have signed notes on ordinary affairs: missing cutlery, the minimum whiskey that should be stocked, cleaning out the stables for the Yuvaraja’s visit. In profession, and in causes espoused, each man’s story is a potential bestseller. Lt. Col. Crawford came to India when he was eighteen with his brother, seventeen. They arrived in Madras, boarded a train to Bangalore, then to Mysore, and traveled by ox-cart to Hassan. The eighty-mile journey to Hassan took five days, and Crawford has narrated remembrances not of hardship suffered but of kindness received from the two gowdas who drove their ox-cart. Moving on to Munzerabad, the Crawfords established themselves as major planters, and built a reputation as benevolent masters: when clearing the jungles for coffee, they first cleared areas for workmen’s quarters; they brought clean water down from the hilltop through pipes for their workmen; the nearest hospital being miles away, they arranged a minimal dispensary on the plantation. Crawford has claimed he has no recollection of ever having quarreled with a workman.

Their business expanded and their largesse grew. East of Munzerabad Club, the Crawford Hospital is even today Sakleshpur’s largest. Similarly, Crawford donated land for the Central Coffee Research Institute in Balehonnur in Chikmaglur. In Mysore, the University Offices have for decades been housed in stately Crawford Hall.

The old school west-side of Munzerabad Club bears the name its of its patron, E.H. Young.

What did the club mean to them? I asked in Bangalore: Mrs. Shelagh Foster, as sprightly today as one seven-decades younger, who has reared horses in Malnad and Bangalore, whose late husband came after his education to join his father in the plantation business in Munzerabad, remembers the parties, such as the racing party when they took the horses up to the Munzerabad Fort and raced them on the downs. It rained and everyone was soaked. They descended to the club and changed and distributed prizes there, and the men retired to the bar and the women went into the lounge, as was their routine.

There were movie nights. Lots of tennis. And rarely, there were naughty nights.

Subbanna has heard of one such night from before his time: Three English bachelors rode into the club one day and were drunk by evening. To go higher, they climbed the the billiards table and began a game from on high: more drinks were downed, and after each round they hurled the glasses to the walls; some rounds, they emptied the drink on the butler’s head, asking while pouring, “do you like it?” When they finished their drunken sport and rode out, dawn was already upon them.

A note in the minutes is probably related to this incident: it refers to “senseless damage” which the committee “deprecated,” and for punishment all those present were asked to pay a fine. While determining the penalty, the committee noted that the billiards table was in need of repair even before the incident.

Subbanna also offered a respectful remembrance of an Englishman’s Sundays at the club. He’d come in the morning, check into one of the four rooms the club had then. He’d order a high-breakfast to the room. And a double brandy. “Don’t disturb me hereon, I’m reading,” he’d instruct the butler. No lunch was arranged for him, only high tea. When the butler went up with high tea, the double brandy would be sipped only just. At dinner, he’d ask the butler to pour out the brandy. Subbanna is struck by the elegance of all this.

(After a point, miffed that I’d strayed too long, the future pulled me round.)

What did the planters foresee for Malnad? Young labor has left for the city. Many planters’ children have gone where the Crawfords and the Schofields came from, and are exercising there the enterprise that white men showed in Malnad. Schooling children are sent to Bangalore and Mysore with the wives so that eventually, these children will go westward too. So? With senior citizens as owners and workmen, is the coffee-belt set to buckle? Who are the innovators who possess the enterprise and the ambition of the pioneers?

Ramachandra and I went to Anand Pereira’s plantation. Pereira begins and ends his workday zen-fashion, meditating by a high tank teeming with Japanese koi: the sprawl of his estate is on full display from the tank. Through inventive irrigation and the use of his scholarship in microbiology, he has created one-hundred and twenty acres of springy soil that support a fine-looking coffee plantation: “Feel the soil, Shashi! Feel it!” And, worried about the warming, he is creating a canal system to prevent the earth from cracking, should famine strike. “No time, Shashi! No time!” He walks faster as he says this, as though to create time.

We finished the tour late-afternoon and sat with his wife and watched their children play cricket with the farm-hands on the kana. Suddenly Pereira asked me: “What can planters learn from manufacturing, Shashi?” With trees looming round us, there was such silence in that womb in which we sat, except for children scoring and denying runs, and prayers welled up in me for his success, for success for all planters, prayers that were, in truth, utterly selfish.

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a decent goodbye…

May 23, 2009

sleep softly

In Kyoto I took the left lane at the shrine for Hideyoshi ‘s wife and went up a few steps and there before me was a whole hill-range stacked neatly with tombstones. The heartening thing was the neat compactness—more dead people in less space. Even then, they have taken whole hills that were almost as tall as mountains. But in the end, it seemed that Japanese people send home their dead, even the common dead, to tidy places, and they clean the homes of the dead once the dead have gone in to stay there for good.

Cemeteries are everywhere, plumb in the midst of residences, and a bedroom window or a next-door high balcony may look upon rows and files of tombstones. The constantly burning incense curls up and halts and dithers while its considers the many ways into the neighborhood.

When I walked into a cemetery on a quiet street in Tokyo, the keeper of the graveyard encouraged me to go deeper and he joined me and made explanations, and even if I didn’t understand I nodded with matching vigor at his goodwill. He pointed at different points beyond the graveyard—to where more graveyards lay? Did he perhaps believe I was in Japan to learn graveyard management?

And why not? They have graveyard technology our hideous disorganized burial grounds can use. I have buried two humans who were dear to me in the last eighteen months, and I can tell you I don’t like where I sent them, and how I sent them off.

So I envy the Japanese not only for the soft colors and gentle designs that bring elegance into their lives. I envy them also for their style in death.

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election blues…

May 7, 2009

india-flag

The papers are full of it and a great many have begun to wish they too had run in this election as independents. Those that ran have acquired a glow that tickles me, and I’m thinking all the time that I should have shaped up and run too. I’m already not young, and in the next elections I’ll be beyond the brim, so these elections have brought me into a second midlife crisis.

It did not matter to me when over ten thousand candidates ran as independents in 1994. It pricks me now when three-thousand are reported to have taken the dive, all the more when I hear their noble intentions.

I remembered yesterday the young Indian from the US who came to contest in the assembly elections a year ago. He arrived in the nick of time. He got into the papers and looked good in the columns. His claim to the seat was that he would spend only the stipulated maximum on his campaign. After losing, what is Reddy doing? Has he gone back to the US? Or, is he living in Jayanagar to work for the people whom he wished to represent? If there was news of this matter I’ve missed it, but Reddy seemed committed to good politics—so I’m sure he is settled in Jayanagar, serving its citizens, even if defeated.

Like Mallika Sarabhai. Her time in public service is almost as long as she is old—let me quickly add that she’s not so old, and she’s very attractive (and I feel no envy when I read the list of her works). Her parents and her parents’ parents have all been selfless servants of the people. She might not prevail over Grand Old Advaniji; but none suspect that her labor will cease after the votes are counted.

Captain Gopinath is as famous as her, even if not for as long, because his claim to fame came with the wealth he came into recently. The newspapers showed a big picture of him campaigning in a public bus. Nobody connected with anybody in that picture and it did not seem to me that with bonding of that kind he’ll win, but who knows? The software dadas are openly behind him, and he might win even with two giant candidates against him.

What if he loses? Captain Gopinath is called “the man who made air travel available to the common man,” and they’ve called him that so many times—each mention has increased the shine on him. Without doubt, the captain will serve the people of Bangalore-South with vigor, and for long, whether in victory, or in defeat. And not only through writing cheques for them.

“Cheer up,” I’ve been telling myself.

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the palace gardens

They have taken over at the railway stations, in the small cafes in the city and in the suburbs, in the restaurants on the high street and in the downtown areas, in the hotel lobby and the airport lounge— in short, everywhere: the electronically operated spray and bidet, and the heated toilet seat. The thought came to me in the railway car, as I looked around at my fellow passengers: they were nodding in sleep, reading, playing games on the cell phone, staring into the gaps between people to avoid seeing, people intent on being unto themselves: the thought crossed my mind that these people were sitting on bottoms that are now in the charge of electronic devices, and that at that very moment, in some places in their country, technologists would be working on devices that would take over the tasks still left—devices to deliver derrières clean and red and dry as when mamma was in charge of them. The passengers were silent and oblivious to this train of thought of the lone foreigner in the car, and the few who spoke did so in murmurs, and those who had opened the handphone punched into them with vigor but none spoke on the phone. No phone rang. (I didn’t hear a cell phone ring once these two weeks in Japan, saw so few people speaking into cell phones, in this land of big business.)

In the red-light district there are many, many lights, of every color, and the lights before the establishments are quite often not red at all. On Friday evening there were more kids there than adults, male and female, shouting, squealing, even making speeches for fun. It is a hell of a place, packed on the street, and quiet before the establishments. The hostess clubs and host clubs seem to have lost to the pachinco parlors where the doors are wide open and the walls are of glass but the seats are all taken—but you may go in and walk the aisles. The din! I went into one and in no time beat it back, not understanding the psychology behind the addiction to the noisy, disorienting games. In Asakusa, I saw men and women queued up before nine in the morning on a Tuesday, waiting for the parlor to open. The ones at the head of the line looked not too different from alcoholics. Down the line the dresses were neater, and they looked like they’d washed before coming. What is it about the game that takes such complete possession of them? In Kurosawa’s Ikiru, a movie almost sixty years old, the writer takes the dying protagonist to play such a game, a non-digital version, and he associates the game with life. The protagonist enjoys the game and the next day he treats the young lady who works in his office to the same game. She jumps gaily while she plays; in his illness he cannot be gay like her; but the game absorbs him just as much.

Adults and children move near-microscopic objects on their tiny screens, with equal intensity, any place any time they get a pause; this propensity for intimacy with machines over humans may be the reason why androids and robot-dogs are incipient first in Japan.

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kabuki

Sonezaki Shinju is the story of a man (Tokubei) held back from marrying a courtesan (Owatsu) he loves. Hope comes that he may marry her and he arranges the money to pay out his stepmother who has spent her own money to arrange another match for him. But he has come into money before the deadline to hand it over to his stepmother, so he lends it to a friend in need, but the friend cheats him and frames him as a fraudster. Humiliated, Tokubei must die; Owatsu must die with with him. The story approaches Romeo and Juliet.

Tokubei is played well by Nakamura Kanjaku, and he captivates in the moments when he prepares to drive his sword into his love. He is radiant in the moments of pure love, early in the play, before the humiliation has occured. And Sakata Tojuro must excel too, having played Owatsu twelve-hundred times before this performance! The solid fans of kabuki were full-throated when they shouted for him the Japanese equivalent of our “wah, wah.” However, to me—layman and outsider—Sakata appeared too experienced, appeared demonstrative of how the role should be played, seemed more coach than actor. Furthermore, after twelve-hundred performances the actor has reached an age that chalk-white paint cannot hide. Whereas Nakamura shines with youthfulness.

Owatsu has to show much pathos; she has to sniffle up and down the stairs, and with friends, and at the edge of the platform in the brothel where Tokubei hides from the others, below the platform, at her feet. But her sniffles are masculine, and loud, issuing from male nostrils. The women in kabuki are men, so here is a tender nineteen-year-old girl played by a man who is more than twice nineteen and his kimono cannot conceal the lack of a figure. The figure that showed complimented neither man nor woman, so Owatsu was a terrible distraction for me. What kept me in my seat until the end was the delivery of narration by the vocalists, which was powerful; the music, which was new to me, and captivating. The stage, of course, was a masterly creation.

The earliest novelists in Japan are women, and The Tale of Gengi is prominently displayed even today among the English books at Kinokuniya at Shinjuku. The work is a thousand years old. Even kabuki began as a woman’s enterprise, but when the art form became a success, and many women appeared on stage, the rulers of the time decided that women performing in public would corrupt society. So the women’s roles went to men, and the men have kept it that way ever since.

Will it hurt the art if they bring back the women? Is it not proper in this time and age?

(It was a five-hour show with two intervals and two more plays, even better than Sonezaki Shinju. I’ll write about the other two plays another time.)

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kyoto-cafe

The subway ticket clerk, the receptionist at the hotel, the taxi driver, the odd man or woman at whom you wave the map and ask to be directed, the waitress and her brother and mother in the family-run cafe, the young lady who insists on bringing to your room your luggage on her cart, the old English-speaking guide at the museum, the shop-assistant when asked where you can get that thing which she hasn’t in her store, the shuttle-bus driver, everyone offers help and courtesy that surprises even now, after ten days here, after having gotten used to their exceptional conduct, and though I left home with too high expectations of good experiences in Japan.

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Every monument here seems to have been ravaged by fire, or earthquake, and has been rebuilt over and again. But some have pieces that have survived, intact among restorations and remakes, and the quality of the work—in painting, or building, or garden—is astonishing. It is said that the great Shogun Ieyasu gave each section of the Edo Castle to a different Daimyo lord to build, so as to secure its quality. The castle was destroyed in a conflagration in just a few decades, but the foundations remain, each section with stones cut and aligned according to the taste and design of the Daimyo who built it. It is a well defined seam everywhere where stone rests on stone, and all the pains taken to achieve a fine cut show themselves quietly, in the manner of these people.

It might be that Dr. Deming taught the Japanese how to repeat quality in high production-volumes (with the use of statistical control). He taught a people whose innate nature is to deliver a good product, always with courtesy.

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basho

Haiku poet Matsuo Basho moved from Nihonbashi to Fukagawa in 1680. It is counted a significant shift. Both places are in today’s Tokyo, and are separated by only one station—the Kayabacho—on the Tozai subway line; so they are a mere few minutes from each other. (Basho went farther nine years later, to the north of Japan, and wrote a journal of that journey in verse: The Narrow Road to the Deep North).

Consider the most revered Haiku of Basho:

an ancient pond
a frog jumps in
the splash of water

In the Kiyosumi Gardens in the Fukagawa area, the seventeen Japanese syllables that make this verse are carved into stone. Not far from the gardens, in a small but attractive memorial on a height by the river Sumida they have put on a pedestal the poet in bronze, and down by his right hand, in the corner, there is a tiny pond fed through a bamboo sieve. While I was there, a young man with advanced camera-gear knelt by the water and sought out an essence in it that would evoke the frog. He worked on, shifting his weight from knee to knee, absorbed, even as I left.

From the statue, it is a short pleasant walk on the river-promenade to the Basho museum. The shelves are full with his verse, and people were holding meetings in a hall and in a small room. I guess they were learning and teaching and sharing Haiku. There was not one word of English anywhere, but I saw the frog: a stone frog on sale for use as paperweight, a statuette of a frog safe behind glass, frogs on scrolls, a painting in which Basho looks back and out into the waters behind his dwelling—there is the suggestion of a splash in them.

I bought there a gilt bookmark, a flat metal strip with a blue tie: in a kind of fretwork in it the frog has leapt and will meet the water in a moment. I’m going to use the bookmark, to always anticipate the splash while I’m reading.

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For this trip I’m consulting Fodor’s, and National Geographic, instead of the usual Rough Guides and Lonely Planet. And to get into the mood for Japan I opened Kurosawa’s Something Like an Autobiography, and went up to page twenty-five today. He was born in Tokyo, and till where I’ve read he describes himself a crybaby, but he reveals himself as determined and exceptionally hardworking as a boy. On a normal day when he was in grade-five he rose and walked an hour and twenty minutes to reach fencing school. The sun came up while he walked back home hungry for breakfast with a task waiting to be performed before reaching home—an enforced visit to a Shinto shrine. After breakfast he went to school and came home after sunset, after calligraphy classes, and some time spent at the home of a favorite teacher.

He says his childhood home had the set and mood of a samurai’s.

Writing this, I have a sudden urge to go see the Daiō Wasabi Farm, location of Kurosawa’s Dreams.

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It isn’t so long ago that I went to Istanbul, and although—to enhance my experience—I read Orhan Pamuk ahead of my departure and Pierre Loti while in Istanbul, the memories of the time spent there are fading, leaving behind static images of this and that. jap-flagFrom the half-day spent in a gray Balat, for instance, I remember most the two skinned heads of lamb (their eyes intact in their sockets) that stared at my white walking shoes from behind the glass on the bottom shelf while I tried to get directions from the butcher. He had no English, I had no Turkish.

I went to the palaces of the dead great; and called on them where they are interred. I saw objects that belonged to men greater than the great: The beard of the prophet, the tooth of the prophet, the sword and the bow and the tunic of the prophet, the gleaming staff of Moses, the sword of David, the skull and one arm of John. I’m surprised they didn’t awe me when I saw them; now they are a dull memory. The palace, the harem, the chambers of the princes, the peacock throne, the tiles, the gems and diamonds…the Topkapi Palace took all of one day, but the memories are lifting off my mind.

I gazed at the living Istanbullus from behind cafe windows. They have coalesced into a blur.

Why go far to see things most of which I’ll forget? No more reason than that I feel good while I’m there. People are suddenly more interesting and I catch myself staring at them and I don’t feel guilt from it; history ceases to be boring; I notice better the smells and the breeze and the sway of the trees and the course of the moon. Coffee tastes good. I read better.

Joy happens during the experience. In a week I’ll go to Japan for two good weeks of walking.

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for whom my vote?

March 27, 2009

indian-flag

Sadashivanagar has fine bungalows and among the richest in Bangalore live there. It is a fine neighborhood except for the traffic but maybe in the depth and height of their mansions the rich don’t hear the noise. On Sunday evenings or on a public holiday like this day of Ugadi, there is respite. Film actors live in Sadashivanagar, and doctors of actors, coffee planters, and top political leaders. In the evening I stood before the citadel of such a leader who I could see wasn’t in town, about whom I’d read in the morning papers that he was mobbed yesterday in Bidar by supporters of a local one who hasn’t been given a ticket to contest. The security-men at the gate were sprawled on plastic chairs, their legs splayed, the men savoring every sensation from the summer breeze, oblivious to my staring presence.

I have heard that this leader has various kinds of security-men who protect him from the people. One such man for one such leader was pulled out of an SUV and chopped up three or four days ago.

His citadel puts the man at a distant height. When he and his ilk address gatherings, the distance from the citizens and the number of guards who stay the citizens behind the barricades tell how tall the leader.

Now the time has come to vote and we must (from afar) lovingly float up our votes to them; they will gather them with as much affection and if they win they will go to their caucuses and perchance think gratefully of us while they choose the maximum leader.

In Hassan last Sunday at the sports grounds two pretty girls sat with two boys and I overheard their discussion on soya oil and other oils while I descended the steps. Other young men looked at the girls, as young men (most men) will, but they did not go slap the girls or pull their hair for being so brazenly out with men—a no-no for our moral police from the saffron flock. Hassan is the bastion of Deve Gowda who, for all his faults, is clearly a secular man with teeth that bite even in old age. His son had looked promising as chief minister; his grandson is already in politics and is often in the (bad) news; his daughter-in-law was recently elected a legislator; and his other son is the lion of Hassan. So the buck in Deve Gowda’s party starts in his family and stops there and no one gets to know what was the buck that passed.

The colors of the party that dominates the districts next to Hassan are vivid and unmistakable. Their stand is thunderous even in their silence, such as when they took no stand when the sene beat the girls in Mangalore, and when men from their fringe outfits vandalized the churches. The beatings have not stopped, the molestations in the remote areas are silently suffered and seldom reported, and with this party in power the incidents will only increase. (Let me be honest: I’m not comfortable with rightists anywhere, but here at home I crave the labor reforms that only this party seems capable of bringing about.)

Deve Gowda and Manmohan Singh and Advani are creaking old men who should have long ago stepped down in favor of younger leaders and gracefully retired. (With Singh, those who decide for him should have decided so.) We would have remembered each man most fondly.

More than seven-hundred million will vote next month. Of them, forty-million are new voters. I’m not yet eligible to vote, I have yet to re-register my name in the Corporation Offices, and I’m struggling to summon up the enthusiasm to go there these hot days.

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